Channel 5, known as Televisión Nacional de Uruguay (TNU), is the State's public television channel.
Operated by the National Audiovisual Communication Service (SECAN), which is under the Ministry of Education and Culture, it began broadcasting on June 19, 1963. Its headquarters are in Montevideo.
Throughout all governments, including that of Luis Lacalle Pou, the channel has consistently operated to promote the cultural left's agenda, beyond political parties.
The director
The director of Channel 5 (TNU) is Erika Hoffmann, who also chairs the National Audiovisual Communication Service (SECAN).
She took office in March 2025, with Yamandú Orsi's government.
She was born in Montevideo 50 years ago. She is married and has three daughters. However, what matters is neither her marital status nor her offspring.

What is important is her project for a channel funded by everyone's taxes.
Her stepfather, Pedro Seré, was one of the founders of the Artiguista Vertiente.
Liber Seregni, historic leader of Frente Amplio, used to visit her home during the founding meetings of Vertiente in 1989.
She did not adhere to Vertiente's moderate left, but rather sympathized with the Communist Party.
Media bias in favor of the cultural left
The channel played a prominent role in covering the departmental elections of May 2025, with live broadcasts and "political analysis" panels.
These "analyses" promoted narratives aligned with the cultural left, reinforcing its ideological agenda.
Coverage of the "Marcha del silencio"
Channel 5 covered the 2025 Marcha del Silencio with a bias in favor of the families of the so-called "disappeared," and an anti-military tone, in line with the cultural left's agenda.
It was broadcast live and also through YouTube.
The broadcast of the May 20 march, carried out by the channel funded by everyone's taxes, began around 7:00 p.m., capturing the route and key moments along 18 de Julio Avenue.
Hoffmann, from the channel that should belong to all Uruguayans, prioritized the proclamations of those marching, aligned with the cultural left's narrative.










