Adrián Suar returns to cinema with the dual role of actor and director and premieres Mazel Tov.

Adrián Suar returns to cinema with the dual role of actor and director and premieres Mazel Tov.
The 4 siblings of the drama, featuring performances by Benjamín Rojas, Natalie Pérez, Adrián Suar, and Fernán Mirás

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The film explores family bonds through reunion, grief, and shared memory

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Reunions, farewells, and emotions in tension

The story relies on the emotional duality of its characters: joy for the celebrations, and sadness for the loss. The contrast between the Bat Mitzvah, a wedding, and a funeral forces the protagonists to confront their differences, but also to seek common ground.

The film explores the complexity of sibling relationships, played by Suar, Fernán Mirás, Natalie Pérez, and Benjamín Rojas, who must coexist amid mourning and tradition.

The script was written by Pablo Solarz, known for his sensitivity in telling intimate stories. Suar aimed for an honest tone, avoiding melodramatic excesses, and hoped the audience would connect through their own family experiences.

Solid cast and standout performances

The film featured a top-tier ensemble cast. In addition to the four protagonists, actors such as Alberto Ajaka, Lorena Vega, Guillermo Arengo, Esteban Bigliardi, Ariadna Asturzzi, Lula Mangone, Pablo Fábregas, Aaron Palomino, and Adriana Aizenberg joined.

Rodolfo Ranni has a special role in the feature film. He made a brief but significant appearance, adding emotion to one of the key moments of the story.

The combination of acting experience and a script focused on the emotional allowed Mazel Tov to flow between humor, melancholy, and reflection.

The symbolic weight of Mazel Tov

The film's title comes from Hebrew and means "congratulations" or "good luck." It is commonly used at events like weddings, births, or religious ceremonies. In the context of the film, this traditional greeting takes on a double symbolic load.

The expression appears as a wish for well-being that prevails even in moments of pain. The overlap between celebration and mourning gives the title an ironic dimension, but also a deeply human one.

With Mazel Tov, Adrián Suar proposes a film that challenges from the emotional and, beyond its cultural references, connects with any viewer who has experienced the complexity of family ties.


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Adrián Suar premiered his new film Mazel Tov, a dramatic comedy that combines humor, emotion, and tradition. The film, which will hit theaters on April 17, featured him as both the protagonist and director, in what was his second experience behind the camera after "30 noches con mi ex."

This time, Suar tackled a family story with a strong emotional charge, set in the context of rituals and farewells. According to him, it is not a self-referential story, although he admits that certain personal nuances run through it.

"The idea could have been set in an Italian or Spanish family. It's not about my life, although it includes me in some way," he clarified in a conversation with Teleshow.

Adrián Suar, en su rol de director de su nueva película "Mazel Tov"
Adrián Suar, en su rol de director de su nueva película "Mazel Tov"

A story that transcends the personal

Suar plays Darío Roitman, a man who lives in the United States and returns to Argentina after his father's death. The initial reason for the trip was different: to attend his sister's wedding and his niece's Bat Mitzvah. But his father's passing forced him to relive broken bonds, childhood memories, and still-open wounds.

El afiche del film que protagoniza y dirige Adrián Suar.
El afiche del film que protagoniza y dirige Adrián Suar.

What might initially be read as a Jewish family story quickly opens up to the universal. Suar explained that the focus is on the collective, on how each family member constructs their version of the past and their relationship with the father figure.

"The film is not about a community, but about family ties. It's a story that could be anyone's," he assured.

In Mazel Tov, the diversity of memories and emotions among siblings shapes the conflict. Each carries their interpretation of childhood and the paternal figure. Thus, the film becomes a mirror where many can see themselves reflected.