Andy Kusnetzoff 'cried on air' falsely in defense of massive public spending, and Mario Pergolini imitated him, ridiculing him
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Amid a day marked by legislative debates on the presidential vetoes of pediatric emergency and university funding laws, ultra-Kirchnerist host Andy Kusnetzoff once again became news. This time, it was not because of the quality of his show, but because of his fake live crying, which was quickly interpreted as a political maneuver rather than a gesture of genuine empathy.
"It's good for the President to back down, to say there 'I'll look into disabilities and universities,' because that's not polarization, that's taking into account how important our country is and the pride we feel in having our public education," Kusnetzoff declared through tears on his show Perros de la calle, broadcast by Urbana Play.
With a trembling voice, he added: "People with disabilities, I hope it doesn't happen to you, because life is easier if you don't have a disability... tomorrow, when I'm not here, I don't know how they'll manage."
The host, visibly affected, continued to question Javier Milei's government's spending cuts, even though the economic direction shows clear signs of stabilization, with declining inflation and recovery in the markets. His speech, far from a rational analysis, ended up being a campaign ad disguised as emotion.
Mario Pergolini y Andy Kusnetzoff
The scene provoked an immediate reaction from the competition. Mario Pergolini, on his show Deja que entre el sol on Vorterix, did not miss the opportunity to ridicule him. "Tears came to my eyes," he said sarcastically, while applying eye drops to simulate forced crying, in direct reference to Kusnetzoff. "Am I already a crybaby?" he asked, laughing, receiving approval from his panelists.
Pergolini's mockery made it clear that Kusnetzoff's performance did not go unnoticed in the media. Beyond the presence of psychologist Gabriel Rolón in the studio—who tried to justify Andy's emotion by saying "it's okay for it to hurt, Andy, that's empathy"—the truth is that the host became a symbol of media resistance to the libertarian adjustment.